Kayt Pause
Kayt Pause is an bold individual dining, meeting or waiting chair designed for formal and informal spaces across workplace, retail or hospitality. With a strong connection to the Kayt Collection through it's distinctive lines and legs, it is the personal solution of the statement collection.
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Overview
- Upholster individual chair from the Kayt Collection.
- 620W x 610W x 765H mm, view all Specifications.
- Legs in chromed steel or five star aluminium base with or without castors.
- Product of Australia
6-8 weeks
Pause’s distinctive lines express the connection between the seat and back elements, a unique language common to all elements within the collection, yet distinguishing it from many others of this typology. The full range features generous armchairs, sofas and optional loose cushions and tables to complement.
ColourLab finishes
Category B / Matador
- Matador Bronco Two Tone
- Matador Dark Chocolate
- Matador Earth
- Matador Inky
- Matador Laal
- Matador Mint
- Matador Mist
- Matador Newport
- Matador Ochre
- Matador Scarlet
- Matador Steel
- Matador Wedgewood
Category C / Medici
- Medici Blush
- Medici Kakadu
- Medici Latte
- Medici Lichen
- Medici Liquid Amber
- Medici Pesto
- Medici Petra
- Medici Pinto
- Medici Pumice
- Medici Shiraz
- Medici Tea Tree
- Medici Truffles
Category D / Heirloom
- Heirloom Cedar
- Heirloom Copper
- Heirloom Graphite
- Heirloom Harvest Moon
- Heirloom Into The Woods
- Heirloom Lindt
- Heirloom Mother Earth
- Heirloom Riverstone
- Heirloom Royale
- Heirloom Urban Rhythm
- Heirloom Antique
Category A / Focus
- Focus 108
- Focus 276
- Focus 604
- Focus 179
- Focus 200
- Focus 294
- Focus 300
- Focus 315
- Focus 381
- Focus 443
- Focus 444
- Focus 508
- Focus 542
- Focus 621
- Focus 908
Category A / Cairo
- Cairo Atoll
- Cairo Basil
- Cairo Caraway
- Cairo Charcoal
- Cairo Chive
- Cairo Lapis
- Cairo Licorice
- Cairo Opal
- Cairo Pepper
- Cairo Quartz
- Cairo Salt
- Cairo Smoke
- Cairo Spice
- Cairo Tumeric
- Cairo Turquoise
Category B / Rave (Healthcare)
- Rave Bass
- Rave Crowd
- Rave Culture
- Rave Electro
- Rave Laser
- Rave Move
- Rave Music
- Rave Scene
- Rave Strobe
- Rave Techno
- Rave Tune
- Rave Vibe
Category B / Autumn
- Autumn 101
- Autumn 131
- Autumn 171
- Autumn 191
- Autumn 221
- Autumn 331
- Autumn 361
- Autumn 651
- Autumn 681
- Autumn 751
- Autumn 791
- Autumn 971
- Autumn 771
- Autumn 551
Category C / Merit
- Merit 008
- Merit 015
- Merit 019
- Merit 020
- Merit 021
- Merit 026
- Merit 028
- Merit 032
- Merit 033
- Merit 036
- Merit 037
- Merit 039
Category C / Mode
- Mode 005
- Mode 008
- Mode 023
- Mode 026
- Mode 030
- Mode 033
- Mode 039
- Mode 040
Category D / Atlas
- Atlas 111
- Atlas 161
- Atlas 431
- Atlas 471
- Atlas 501
- Atlas 661
- Atlas 681
- Atlas 781
- Atlas 861
- Atlas 881
- Atlas 911
- Atlas 971
POA / Remix 3
- Remix 3 0152
- Remix 3 0223
- Remix 3 0233
- Remix 3 0242
- Remix 3 0252
- Remix 3 0566
- Remix 3 0612
- Remix 3 0662
- Remix 3 0816
- Remix 3 0866
- Remix 3 0906
- Remix 3 0962
- Remix 3 0982
POA / Steelcut Trio 3
- Steelcut Trio 3 105
- Steelcut Trio 3 195
- Steelcut Trio 3 205
- Steelcut Trio 3 236
- Steelcut Trio 3 453
- Steelcut Trio 3 476
- Steelcut Trio 3 515
- Steelcut Trio 3 526
- Steelcut Trio 3 533
- Steelcut Trio 3 636
- Steelcut Trio 3 645
- Steelcut Trio 3 906
- Steelcut Trio 3 916
Chrome
- Chrome
Category A / Metal Powder Coat
- Strata (Satin & Texture)
- Stone Grey (Satin)
- Basalt (Satin)
- Black (Satin & Texture)
Category B / Metal Powder Coat
- Ash (Satin)
- Linen Pearl (Metallic Satin)
- Silk Grey (Satin)
- Ozone Light (Matt)
- Ozone Medium (Matt)
- Noir Marron (Matt)
- Noir Verde (Matt)
- Orange Pigment (Matt)
- Ruby Red (Satin)
- Oxide Red (Satin)
- Cement Grey (Satin)
- Lake Reflect (Matt)
- Fir Green (Satin)
- Sulfur Yellow (Satin)
- Colza Yellow (Satin)
- Blush (Satin)
- Traffic Red (Satin)
- Pale Green (Satin)
In the early 2000s, agile working reached a critical point – it was overtaking traditional layouts as the office go-to and was beginning to influence the way businesses operated and thought about their approaches to work. And with this change in operations, a similar change in workplace solutions was required, making way for flexible furniture that allowed staff to move about and adopt different spaces to suit their dynamic work styles.
In response, Schiavello, along with Ivan Woods, came up with the first significant, cohesive and innovative furniture collection of the agile generation: the Kayt collection. Kayt pioneered soft architecture with its ability to create private spaces within an open plan office without disrupting any actual structural elements of the building.
A collection of soft seating options and coffee tables, Kayt Pause is a flexible armchair suited to boardrooms as well as waiting areas, education facilities and libraries. As part of the collection, Kayt Pause pairs well with Kayt Lounge, an individual, two or three-seater solution with the same aesthetic and intent as its Pause counterpart. Scatter Kayt Pauses and Kayt Lounges throughout a floorplan for an ultimate offering.
From the dawn of the agile working era through to now, Kayt has made ease of flexible working and the range’s various iterations have provided agile workers with forward-thinking, premium workplace furniture solutions.
The late Ivan Woods designed interiors and products for over 30 years. His work drew inspiration from his travels and interior architecture training in Perth, Australia. Working across projects within the UK, US, Germany and Italy, Ivan specialised in hotel and workspace design.
Schiavello and Ivan Woods maintained a solid history together. Our collaborative design process, which evolved over a decade, yielded distinctive collections such as Toro Collection in 2011, Palomino Chair in 2014, and both Kayt Village and Bomba Sofa in 2015.
With a strong architectural sensibility and carefully considered geometry, Ivan enriched his designs' emotional qualities in the fine detailing and sense of place. Ivan explained, "Good design is the creation of spaces, experiences and objects, embedded with strong and dynamic emotional connections to the people that use them. This is done through reflecting a sense of place, with a cultural authenticity and aesthetic.”